James Rosenquist
After Berlin V
1999
10 color lithograph
32-3/4 x 37-1/8 inches
Edition: 80; XXX
$6,000. - Limited Inventory / Last One
Inquire now - gsoffice@usf.edu
James Rosenquist
The Prickly Dark
1989
Aquatint printed in halves in two runs from two copper plates on a single piece of folded paper (paper unfolded once for framing).
66-1/8 x 66-5/8 inches
Edition: 55
$12,000. - Limited Availability
Inquire now - gsoffice@usf.edu
James Rosenquist
The Israel Flag at the Speed of Light
2005
3-color lithograph
33 x 22 inches
Edition: 50; XV
$5,000. - Limited Availability
Inquire now - gsoffice@usf.edu
James Rosenquist
My Mind is an Empty Glass
1994
4-run, 6-color photo-lithograph
34 x 34 inches
Edition: 42
Limited Availability
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James Rosenquist
Water Spout, from Cold Light Series
1971
10-color lithograph
30 x 22 inches
Edition: 30; XXX
$5,000. - Limited Availability - Impression Number: XXVIII/XXX
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James Rosenquist
Art Gallery, from Cold Light Series
1971
2-color lithograph
30 x 22 inches
Edition: 30; X
$3,000. - Limited Availability - Impression Number: USFII/X
Inquire now - gsoffice@usf.edu
James Rosenquist
Music School, from Cold Light Series
1971
9-color lithograph printed on 2 sheets of paper
34-1/2 x 30 inches
Edition: 70; XXX
$3,500. - Limited Availability - Impression Number: XXVIII/XXX
Inquire now - gsoffice@usf.edu
James Rosenquist
Moon Box, from Cold Light Series
1971
4-color lithograph
16-1/2 x 19-1/8 inches
Edition: 70; XXX
$2,000. - Limited Availability - Impression Number: XXVIII/XXX
Inquire now - gsoffice@usf.edu
James Rosenquist
Moon Beam Mistaken For The News, from Cold Light Series
1971
5-color lithograph
22 x 30 inches
Edition: 70; XXX
$2,500. - Limited Availability - Impression Number: XXVIII/XXX
Inquire now - gsoffice@usf.edu
James Rosenquist
Hole in the Center of the Clock
2007
8-color lithograph
42-1/2 x 27 inches
Edition: 60
No Longer Available
James Rosenquist
Color of Mind and Muscle
1996
color serigraph
31-1/2 x 25-3/4 inches
Edition: 30; XXX
No Longer Available
James Rosenquist
Sister Shrieks
1989
Monoprint / lithograph
48 x 80 inches
Edition: 39
No Longer Available
James Rosenquist
Welcome to the Water Planet
1987
Aquatint printed in 2 runs from 2 copper plates on a single piece of folded paper
75-3/4 x 60 inches
Edition: 55
No Longer Available
James Rosenquist
Shriek
1986
Monoprint / lithograph
42-1/8 x 71-1/2 inches
Edition: 29
No Longer Available
James Rosenquist
The Kabuki Blushes
1986
Lithograph / monoprint
39 x 41-1/2 inches
Edition: 59
No Longer Available
James Rosenquist
Flowers and Females
1986
Monoprint / lithograph
60-1/8 x 70-3/4 inches
Edition: 29
No Longer Available
James Rosenquist
Crosshatch and Mutation
1986
Monoprint / lithograph
42-1/2 x 51-1/2 inches
Edition: 29
No Longer Available
James Rosenquist
Rails
1976
4-color lithograph with screenprint
34-3/4 x 71 inches
Edition: 40; XX
No Longer Available
James Rosenquist
Pale Cradle
1975-76
3-color lithograph and screenprint combination with collage and embroidery
41 x 29-1/2 inches
Edition: 40; XX
No Longer Available
James Rosenquist
Tampa - New York 1188
1974
Multicolor lithograph
36 x 74 inches
Edition: 40; XX
No Longer Available
James Rosenquist
Moon Box, from Cold Light Series
1971
4-color lithograph
16-1/2 x 19-1/8 inches
Edition: 70; XXX
No Longer Available
James Rosenquist
Over his long career, artist James Rosenquist (1933-2017) has created an important body of works that explore new boundaries in printmaking. The artist's first residency at Graphicstudio was in 1971, and he created thirty-seven works in collaboration with the atelier in his lifetime.
Music School
In Music School, Rosenquist employs tripartite imagery taking this compositional format through its paces by combining and reshuffling certain images. This lithograph is made up of two joined sheets, with stylized rain on a car roof above and the wings of a bird stretched beyond a square on white below.
THE KABUKI BLUSHES, CROSSHATCH AND MUTATION, FLOWERS AND FEMALES, SHRIEK, & SISTER SHRIEKS
In the 1980s, Rosenquist created a series of large scale mixed media prints including The Kabuki Blushes, Crosshatch and Mutation, Flowers and Females, Shriek, and Sister Shrieks. These prints set a textured, loose brushwork of painting against a smooth, tight lithographic surface. Rosenquist hand-painted images of flowers onto Plexiglas plates to make monoprints, and then created lithographic prints from his airbrushed images of women's faces. Finally, the lithographs were slashed into slivers and collaged onto the monoprints. The contrasting techniques and the clashing imagery of flowers and faces create high drama in these big, vibrantly colored prints.
Further Resources
Artist's Site: jamesrosenquiststudio.com
Printmaking + Sculpture Terms
Sales
For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.
Copyright + Reproduction
Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.