Janaina Tschäpe
Bedtime Stories
2011
Suite of four line etchings with spitbite aquatint
19 x 16-1/2 inches each
Edition: 15
$3,000.
Sold only as a suite.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Partenope
2004
Color lithograph
22-1/2 x 27-3/4 inches
Edition: 25; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Inaie
2004
3-run color lithograph
27-3/4 x 22-1/2 inches
Edition: 25; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Undine
2004
Color lithograph
27-3/4 x 22-1/2 inches
Edition: 25; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Volva
2004
Photogravure
37-1/2 x 30-1/2 inches
Edition: 20; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Naiad 1
2004
Photogravure
37-3/4 x 27-1/2 inches
Edition: 20; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Lambis
2004
Photogravure
37-3/4 x 27-1/2 inches
Edition: 20; X
$1,000.
Inquire now - gsoffice@usf.edu
Janaina Tschäpe
Tracing Volume
2013
Monoprint diptych
30 x 22 inches each side
framed together
Unique
No Longer Available
Janaina Tschäpe
Mimosa
2010
Bronze with applied patina
4 x 9 x 21 inches
Edition: 5
No longer available
Janaina Tschäpe
Molimoli
2010
Bronze with applied patina
3-1/2 x 9 x 12 inches
Edition: 5
No longer available
Janaina Tschäpe
Janaina Tschäpe was born in Munich, Germany in 1973, and raised in São Paolo, Brazil. She studied at the University of Fine Arts in Hamburg before moving to New York and completing her MFA at the School of Visual Arts. Since 1997, Tschäpe has employed the female body as her muse, creating universes of polymorphous landscapes, embryonic forms and ambiguous characters. Her drawings, photographs, films and installations seek to give form to the trance of art making, portraying not a dream world, but the sensation of being in one. Personal myths and memories are transformed into surreal images that escape rational explanation yet are universally identifiable.
Tracing Volume, Shadowland, SOLID SHADOW, PLAYING VOLUME, PLAYING FLAT
Tracing Volume, Shadowland, Solid Shadow, Playing Volume, and Playing Flat with their sensual, lyrical and engaging play of abstract elements, recall the Brazilian Neo-Concrete movement of the 1960s, which was championed by artists such as Lygia Clark and Helio Oiticica. The monoprints are of a series achieved through a collaging and painting process. The artist cut out shapes from various paper types and laid them down on a previously painted sheet of Plexiglas, which was then run through the lithograph press. In some cases, some of the paper shapes were removed and the print was run through the press a second time.
PARTENOPE, INAIE, UNDINE, VOLVA, NAIAD 1, LAMBIS
For her 2004 video installation Blood, Sea at USFCAM and related Graphicstudio print projects, Tschäpe worked with the professional mermaids at the Florida attraction Weeki Wachee Springs. The mermaids performed while wearing underwater sculptural costumes designed by Tschäpe. At Graphicstudio, Janaina experimented with several printmaking techniques including lithography, photogravure, and direct gravure, to create six editions using images taken from her work at Weeki Wachee Springs.
Further Resources
Artist's Site: janainatschape.net
Printmaking + Sculpture Terms
Sales
For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.
Copyright + Reproduction
Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.