Jim Dine
The Robe Goes to Town
1982-83
10-color aquatint and screenprint
57 x 36 inches
Edition: 59
$7,000. - Limited Availability - Impression: AP
Inquire now - gsoffice@usf.edu
Jim Dine
The Mead of Poetry #1
1988
Woodcut
59-3/2 x 41 inches
Edition: 34
$5,500.
Inquire now - gsoffice@usf.edu
Jim Dine
The Mead of Poetry #2
1988
Woodcut
59-3/2 x 41 inches
Edition: 34
$5,500.
Inquire now - gsoffice@usf.edu
Jim Dine
The Mead of Poetry #3
1988
Woodcut
41-3/8 x 34 inches
Edition: 34
$4,000.
Inquire now - gsoffice@usf.edu
Jim Dine
Black and White Blossom
1986
direct gravure, etching, aquatint, and power tool drypoint
62-1/2 x 39 inches
Edition: 60
$3,500. - Limited Availability
Inquire now - gsoffice@usf.edu
Jim Dine
Ravenna in November
1987-1989
Color heliorelief woodcut and spitbite and soft ground etching with painted additions
78-11/16 x 51-5/16 inches
Edition: 14
No Longer Available
Jim Dine
The Oil of Gladness
1988
Etching/Woodcut
79-1/8 x 39-3/4 inches
Edition: 50
No Longer Available
Jim Dine
My Nights in Santa Monica
1986
direct gravure, etching, aquatint, powertool drypoint
35-1/2 x 72-3/8 inches
Edition: 20
No Longer Available
Jim Dine
My Nights in Santa Monica (The Bistre Version)
1986
direct gravure, etching, aquatint, powertool drypoint
35-1/2 x 72-3/8 inches
Edition: 20
No Longer Available
Jim Dine
The Woodcut Bathrobe
1975
Color woodcut/lithograph
36 x 24 inches
Edition: 60; XX
No longer available.
Jim Dine
The Plant Becomes A Fan series
1975
Suite of 5 prints
2-color lithograph and silkscreen
36 x 24 inches each
Edition: 60; XX
No Longer Available
Jim Dine
Black and White Bathrobe
1974-75
2-color lithograph
36 x 24 inches
Edition: 60; XX
No Longer Available
Jim Dine
Metamorphosis of a Plant into a Fan
1974
Five-part aluminum sculpture
Approx: 26 X 16 X 12 inches each
Edition: 26 (A-Z)
Produced by Graphicstudio
Published by Petersburg Press Ltd.
No Longer available
Jim Dine
The Tampa Tool Reliefs
1973-1974
5 cast aluminum relief sculptures, framed
Approx: 27 x 29 x 2 inches each
Edition: 9 (A-I)
No Longer Available
Jim Dine
The Tampa Tool Reliefs
1973-1974
5 cast aluminum relief sculptures, framed
Approx: 27 x 29 x 2 inches each
Edition: 9 (A-I)
No Longer Available
Jim Dine
Jim Dine (b. 1935) is a consummate draughtsman and printmaker, with a command of historic and innovative techniques and a love of working the printing plate. He frequently mixes media, such as intaglio and woodcut, to obtain a variety of effects of line, color, texture and surface in one work.
The Oil of Gladness
Dine’s art is filled with art historical references, including his image of Venus. The image first appeared in his work when he inserted a small plaster cast of the Louvre’s Venus de Milo into a still-life painting. The immediate source for this large-scale print was a photograph of one of his Venus sculptures. Just as the bathrobe has come to stand as an emblem of maleness, the Venus may stand for universal female sexuality.
The Woodcut Bathrobe, Black and White Bathrobe, Robe Goes to Town, Two Florida Bathrobes
Originally a self-portrait icon, over time Jim Dine’s bathrobe has taken on more universal meanings. The Woodcut Bathrobe is one of several prints Dine completed at Graphicstudio with this signature image. Black and White Bathrobe, completed during the same working session as The Woodcut Bathrobe, employs the same lithographic drawing printed in white on a solidly printed black field. Using a tracing from this lithograph, Dine made a pattern for the individually cut plywood sections that he used for the color panels of The Woodcut Bathrobe. Dine also combines processes in the other bathrobe prints created at Graphicstudio.
Swaying in the Florida Night
In 1980 Dine began to use trees as a specific landscape element in his paintings. This diptych was energetically drawn onto two copper plates with greasy lithographic crayon. The crayon established the white areas of the image by resisting the acid. Dine also added marks to the plate by using an electric drill and Dremel to create an image of intense motion, representing the wind implied in the title.
The Heart and the Wall
As with the bathrobe and the tree, the heart is a theme closely associated with Jim’s work. It has been viewed as representing his wife, Nancy. The Heart and the Wall is printed in four quarters on four sheets of paper to accommodate the limitations of the press beds. Printed in three colors, yellow, green-blue and black, there is a clarity of layering enhanced by the mixture of hues that result.
Printmaking + Sculpture Terms
Sales
For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.
Copyright + Reproduction
Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.