Carlos Garaicoa
Mi última palabra / My Last Word
2012
7-run screenprint on self-healing cutting mat
17-3/4 x 11-7/8 inches
Edition: 20
$2,200.
Inquire now - gsoffice@usf.edu
Carlos Garaicoa
Acumulación / Accumulation
2012
7-run screenprint on self-healing cutting mat
8-3/4 x 11-7/8 inches
Edition: 30
$1,500. - Limited Availability
Inquire now - gsoffice@usf.edu
Carlos Garaicoa
Terrasse St. Denis
2011
2-run photogravure with hand-cut folded elements
17-3/8 x 14-1/4 x 5-3/16 inches
Edition: 6
$10,000.
Inquire now - gsoffice@usf.edu
Alternate views below.
Carlos Garaicoa
Bunker
2010
Cyanotype
33-3/4 x 45-1/2 inches
Edition: 7
$10,500.
Inquire now - gsoffice@usf.edu
Carlos Garaicoa
Carlos Garaicoa (b. 1967) is an installation artist and photographer who began his career in the 1990s. Best known for his use of images making references to architecture, real and imaginary, his work often alludes to re-inventions of cities in various states of decay. For Garaicoa, the architecture of Havana became symbolic of the tenuous state of his homeland where many buildings are falling apart. The crumbling of buildings in the city unleashed his desire for utopian projects with architectural solutions. According to Garaicoa, “the conception of history as a fictitious element and its reconstruction, taking into account its implications in relation to the urban space, is the basis for most of my work.”
Acumulación / Accumulation, Mi última palabra / My Last Word
Acumulación / Accumulation and Mi última palabra / My Last Word are 7-run screenprints on self-healing cutting mats. They are derived from a series of unique images created by the artist on cutting mats with hand-cut colored tape.
Terrasse St. Denis
In Terrasse St. Denis, a 19th century French engraving of fanciful garden structures or follies, from the artist’s personal collection, inspires this two-plate, two-color photogravure with three-dimensional cut outs. The first plate captures the foxing and age-related traces of the antique paper, and is followed by a plate of the engraved image itself. The work is finished with intricate architectural cut outs that bring together the delicate, airy and inviting follies with heavier, stolid and forbidding structures created from an underlying layer of black paper.
Bunker
In Bunker, Garaicoa employs the architect’s classic cyanotype (or blueprint) process to construct a three-dimensional tableau combining drawing, sculpture and printmaking. Garaicoa has designed a custom-built display vitrine that can be configured as a table or a wall hanging, depending on the collector’s choice.
Further Resources
Artist's Site: carlosgaraicoa.com
USF Contemporary Art Museum Solo Exhibition: Carlos Garaicoa: La enmienda que hay en mí (Making Amends)
InsideART Online Curriculum: Carlos Garaicoa
Printmaking + Sculpture Terms
Sales
For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.
Copyright + Reproduction
Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.